Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: Amy Love

  • Live Blogging “Swing Time” – The Sunday Run-through

    Live Blogging “Swing Time” – The Sunday Run-through

    I’m watching the first act of Sandbox Radio LIVE!: “Swing Time”, which we will be performing live tomorrow at ACT in downtown Seattle, but will also be broadcasting via podcast as soon as we sweeten the sound.

    I can relax a little for the moment because my two bits aren’t until act two.  As per usual, I’m Sam in episode 12 of Markheim, but I also got drafted as a concessions vendor in our staging of the classic baseball balladry, “Casey at the Bat”.

    There’s an intense ambient confusion to late process rehearsals—cue-to-cues and dress runs, etc.—that I find deeply unnerving, even though as a playwright I usually had absolutely zero responsibilities. Amidst the tumult, I am grateful for directors in a way I usually don’t admit to. I recall, at these times, my deep admiration for anyone who can handle chaos—indeed choreograph it— with expertise and élan. Two names leap to mind, Leslie Law, the director and producer of Sandbox Radio, and John Langs, who directed the Seattle premiere of my play Louis Slotin Sonata and the world premiere of The Sequence, my staging of the real-life race to decode the human genome. I offer you this memory of John, utterly out of context to protect the innocent and guilty alike, after having sat through 10 hours of tech as cool as a cucumber, then suddenly shouting: “Would someone please muzzle that fucking dog!”  The show’s mascot Jack Russell Terrier had apparently rubbed John’s last nerve raw.

    For now, I get to sit and blog to you, gentle reader, about how much I love Juliette Pruzan’s particular whimsy, which you’ll be able to witness yourself in her original piece, “Swing Time Swing Set” written especially for this show, and performed with delight by Seanjohn Walsh, Kathryn Van Meter, Amy Bush and others. I pride myself on knowing where the laughs will come in a new work.  I’m not always right, but I can assure you there are plenty in this one. Probably some you’ll surprise us with when you come see tomorrow.

    If you haven’t already, get your tix here.

  • My Last Play Reading

    My Last Play Reading

    You might rightly judge that title to be half fib, depending on how you read it.  The upcoming public reading of  Philosophical Zombie Killers, happening on September 14 at 7:30 pm at Freehold Theatre, will certainly, and happily, not be the last public reading of a play of mine. The Sequence is scheduled to be read on October 12 at 2pm at the Bathhouse Theater at Green Lake.  (More details here.)  But Philosophical Zombie Killers is indeed my last full-length play. I have no plans to write another, and no great prospects for future full production of this, or any other play I have written. On September 15, the day after this reading, I will officially step away from the theatre. I have no plans to return. Of course threads of sadness run through this decision, but it is also interwoven with hope, and anticipation of new adventures. I hope you’ll wish me well. And if you can, I hope you’ll come see this reading. Here, below the fold, is the press release with all the info:

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  • Local TV Gives Local Theatre a Glance

    I have not been on television since my brief, ill-fated appearance  on Romper Room in Baltimore, circa 1972. Miss Sally was asking the circle of kids what their favorite drink was and when she got to me, I said, “Whiskey”. Even Mr. Do-Bee looked shocked. (In my defense, my dad had once given me a sip and I wasn’t as horrified by the taste as everyone expected me to be.) When the broadcast was done, my mom yanked me out of WBAL’s studio so fast I thought she was going to dislocate my shoulder. Oddly, I was not asked back.

    Happily, last week I made my triumphant return, along with Amy Love, to talk about Sandbox One-Act Play Festival (or SOAPFest, as the kids are calling it.) The festival opens tomorrow night and runs for only this weekend.  It features brand new plays by  Scot Augustson, Emily Conberre, Elizabeth Heffron and myself , presented by some of Seattle’s very best directors, designers, technicians and actors.

    Now that Amy and I are tv stars, tickets to the three night run are unlikely to last long.  I recommend getting some while the getting is good. (Order tickets here.)

    And if you’re wracking your brain for a gift to bring to celebrate these world premieres, just remember: whiskey’s still my favorite drink

  • The SOAP Poster!

    The SOAP Poster!

    I have said it before: one of the most exciting moments for this playwright is when the posters for a world premiere drop into circulation. Something about it says, “Yup, this is happening all right.” And I really love this one for SOAPFest. (Thanks to Sean Williams of Gigantic Planet for the evocative design.)

    I plan on writing more later about why this upcoming festival of short world premiere plays is particularly special for me, but for now, let me simply share SOAPFest’s press release below the fold so you can have all of that important information now.

    Remember, SOAPFest is three nights only in a small venue.  Tickets are on sale here, now!  So . . . you know what to do.

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  • Putting the Fail back in “Experimental”

    Putting the Fail back in “Experimental”

    Artists love to talk about being “experimental”, and it rightfully drives scientists nuts.  We artists obnoxiously brandish that word whenever what we really mean is “avant garde” or “edgy”or “provocative” or “abstruse”.  Any actual scientist understands that true experiments have rules and consequences. Experiments are tests of hypotheses hoping to become theories; and theories, in order to prove useful, must be falsifiable.  In other words, true experiments by definition contain the possibility of failure.  However, all too often in the arts, especially theatre, work gets described as “experimental” that is, in fact, incapable of being “falsified”, because it never had a truthful purpose in the first place. Consequently, the worst kind of “experimental artist” will blame the audience for every failure of meaning or impact.

    I promise I will not be doing that this coming Monday evening at the Bathhouse Theater on Green Lake. Instead, with the help of my truly gifted colleagues Susanna Burney, Amy Love, William Salyers and John Q. Smith I will be performing a bona fide artistic experiment by reading aloud my very latest play Philosophical Zombie Killers.  I attempt things in this script I have never seen tried before in the theatre, and thus the ominous likelihood looms that some of these things I am trying can, and most likely will, fail. 

    I am not asking you to come see my greatest latest triumph, which I happen to have dubbed “experimental” cuz it sounds cool.  I am asking you to come see my latest experiment, and help me make it better, by watching where it fails, and letting me know.

    Saint Denis

    Here are the details:

    The graduate level seminar is about human conscious-ness. Or at least that’s what you thought when you signed up for it. Now someone’s telling you that you’re 45 years old and you’re dying. You certainly didn’t sign up for that. Now this alcoholic professor is asking you to explain consciousness to him. And this depressed ex-cop from Missouri is telling you about the epidemic of decapitations in Seattle. And this weird lady from Omnisoft just wants you to admit that there’s no such thing as consciousness and no such thing as you for that matter. Could she possibly be right? Might make dying easier. Who said you were dying?

    Who:       Susanna Burney, Amy Love, William Salyers and John Q. Smith

    What:     Philosophical Zombie Killers by Paul Mullin

    Where:   The Bathhouse Theater in Green Lake

    When:    October 15, 2012, 7pm

    How:      Pay what-you-will, including nothing at all. You’re doing us a favor by giving it a listen.

    Reserve seats at Brown Paper Tickets: http://www.brownpapertickets.com/event/278468

  • One Great Year One–Sandbox Radio Live!

    One Great Year One–Sandbox Radio Live!

    Back in April we staged the fourth episode of Sandbox Radio Live, “The Chase” rounding out a year of producing this unique offering of all local theatre talent.  The podcast of this last show is now available here.


    Episode 4, “The Chase”
    recorded at West of Lenin on April 16, 2012

    @1:42    “Stewart and Miriam” by Elizabeth Heffron
    @10:52   “Markheim: Episode 4” by Paul Mullin
    @25:40   “Why We Run” by Scot Augustson
    @29:35   “Ain’t Gonna Chase After You” Charles Leggett
    @33:25   “The Back of the 358 #4” by Paul Mullin
    @34:50   “Straight With Chaser” by Ki Gottberg
    @42:54   “Always Disappearing” by Juliet Pruzan
    @56:20   “The Back of the 358 #5” by Paul Mullin
    @57:40   “Child of the Second Tier” by Elizabeth Heffron
    @1:04:32 “I’m Always Chasing Rainbows”
    @1:07:53 “The Back of the 358 #6” by Paul Mullin
    @1:09:45 “Squeeze Play” by Vincent Delaney
    @1:22:00 “Finale/Credits

    It was a great evening, as the Sandboxers have really hit their stride generating and performing work intended especially for the pleasures of listening.  For me the standouts of the evening were poems by Scot Augustson and Elizabeth Heffron, “Why we Run” and “Child of the Second Tier”; plus Charles Leggett’s hard blowing “Ain’t Gonna Chase After You” blues, getting its sassy behind kicked by Leslie Law’s second mic vocals.

    In July we’ll kick off a whole new year, with Episode 5 “An Unexpected Twist”, be there to share the making of the magic.

    And per tradition, below the fold you’ll find the script for Episode Four of Markheim, should you care to follow along as you listen.

    (And thanks again to John Ulman for taking such great photos!)

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  • The Chase

    The Chase

    Markheim’s just a half-fallen angel trying to keep his head down and walk neutral in The Show, but a street kid stole his dog and now some Cherub has dropped down from the Fix for heaven only knows what reason.

    Seattle ain’t big enough for two expatriate angels. Sam ain’t gonna like it.  And when Sam’s unhappy, nobody’s happy.  

    Does tax season have you on the emotional lam?  Then join “The Chase”: The Sandbox Artists Collective’s fourth episode of its wildly successful SANDBOX RADIO LIVE! to be recorded before a live audience on Monday, April 16 at 8:00pm at Fremont’s newest theatre, West of Lenin.

    Entirely new, fresh and locally grown, Sandbox Radio is written, produced and performed by some of Seattle’s hottest stage talent. This latest episode, “The Chase” will include new original poems by playwrights Elizabeth Heffron and Scot Augustson, new short plays by Vincent Delaney, Ki Gottberg, Elizabeth Heffron and Juliet Waller Pruzan, plus Episode 4 of Paul Mullin’s noir-angel serial “Markheim”, original blues from Charles Leggett, and special guest chanteuse Joanne Klein.  Before the show and during intermission enjoy a beverage from our newly added bonus feature, The Sandbox Bar!   Halloween Sandbox Fun

    Members of the Sandbox Artist Collective currently scheduled to appear include: Megan Ahiers, Eric Ray Anderson, Shawn Belyea, Ki Gottberg, Mik Kuhlman, Amy Love, Charles Leggett, Todd Jefferson Moore, Peter Dylan O’Connor, Rebecca Olson, Kathryn Van Meter and Richard Ziman. Original music will be provided by Jose Gonzales and The Sandbox Radio Orchestra: including Dave Pascal, Dan Tierney and Rob Witmer.  You won’t want to miss this, and you won’t want to wait until the podcast of this episode is available online.

    Come see it LIVE! on Monday, April 16th…
     

     Sandbox Radio 4 postcard

    Who:     The Sandbox Artists Collective

    What:    SANDBOX RADIO LIVE! Episode 4 “THE CHASE”

    Where:  West of Lenin (203 N. 36th Street, Seattle WA) www.westoflenin.com

    When:  Monday, April 16th, house opens at 7:30 with live music, show at 8:00pm

    How Much:   $10 suggested donation at the door, Reservations recommended! Available at Brown Paper Tickets after April 2nd by clicking here

    Sandbox Radio is conceived, produced and directed by Leslie Law.  Contact:  sandboxradio@thesandboxac.org

    Podcast available in iTunes and by clicking  here

  • A Show You Don’t Have to Come See

    A Show You Don’t Have to Come See

    How often do you get a plug for a show in which the plugger says he doesn’t really care if you come see it?  Well, that’s exactly what I’m telling about this second edition of Sandbox Radio Live: The Halloween Episode.

    Well, all right, hold on a second.  Fact is, I really would like to see you there in the audience, but our seating at West of Lenin is extremely limited and we will sell out.  So no matter what happens, some of you who show up without reservations will be frozen out, S.O.L, on the sidewalk outside, while the happy few who booked at Brown Paper Tickets early enough watch it live.  (Book ahead here.)  But do NOT despair.  It’s Sandbox Radio remember?  And the whole point of us doing it is to make a permanent recording.  Our first episode is available for you to listen to right now, for free! at iTunes.  (Listen here.)

    The podcast of Episode One, at 90 minutes, is admittedly quite sizable.  In future, perhaps The Sandbox might look at ways to create a table of contents with time-stamps so you can go to the sections of the show that most interest you.  In the mean time, download it so that you have something to play the next time you’re stuck in traffic.  You won’t regret it.  (And after you have a listen, please consider posting a review of the show.  It’s the best way for you to let us know what you do and don’t like, and it also raises Sandbox Radio’s profile on iTunes.)

    And look for the podcast of Sandbox Radio Live: The Halloween Episode coming out shortly after the live performance on October 10!

  • NewsWrights’ Awareness & Fundraising Event – How’d we do?

    NewsWrights’ Awareness & Fundraising Event – How’d we do?

    NewsWrights United held its first ever awareness/fundraising event, Journalism: a.WAKE.ning? this past Monday night.  After taking a few days to recover, I thought it was high time to take a look at how we did.

    Goal 1: Raising Awareness

    The Excerpt Reading

    The evening’s kick off entertainment came with Dawson Nichols’ staging of the first scene of our working script for upcoming second edition of our Living Newspaper: The New New News, featuring the inestimable talents of Robert Agostinelli, Shawn Belyea, Khanh Doan, Amy LoveJoseph P. McCarthy, and our own Wes Andrews.  It is rollercoaster fun for a playwright to watch talented professional actors read, after very little rehearsal, words one collaborated to wright.  One moment you stand horrified helpless witness as they mangle laugh lines you crafted and treasured so dearly; the next moment thrill blossoms again as they find whole new laughs you never expected or designed.  Shawn Belyea embodied the definition of a professional actor– versus, say, a very talented and eager amateur– when he managed to wring the biggest laugh of the night out of losing his place in the script.

    Excerpt Reading from The New New News: A Living Newspaper featuring Robert Agostinelli, Khahn Doan, Amy Love and Shawn Belyea (left to right)

    The Panel Discussion

    Our Consulting Producer, Tom Paulson, ran this discussion of the current state of journalism, with such local luminaries as legendary sports columnist Art Thiel, new media maven, Monica Guzman, Mark Higgins, Metro Editor for The Seattle Times, Brendan Kiley, Theater Critic and Features Reporter for The Stranger, and Chris Grygiel, coordinator of political coverage for the Seattle P-I.com.  Personally, I found this panel discussion the most exciting portion of the evening.  Tom pointed hard-hitting questions at everyone in the room, and not one of the panelists shied away from answering frankly, a rare occurrence, as you would know if you have attended similar discussions in the last couple years.  Journalists have been very leery about hashing through the woes of their industry.  For a quick rundown of the various points-of-view represent, I cannot do better than the rundown provided by Jake Ellison over at Seattlepostglobe.org, which you can check out by clicking here.

     The Journalism: a.WAKE.ning? Panel.  Tom Paulson (in cap) moderates Paul Mullin, Mark Higgens, Monica Guzman, Chris Grygiel, Art Thiel, and Brendan Kiley.  (Left to right.)_

    One moment seemed to leap out for nearly everyone in the room.  Several good friends gave me their feedback in the days after and nearly all of them specifically mentioned the earnest and well-argued exchange between Art Thiel and Brendan Kiley regarding the definition of a journalist.  Is it, as Art argued, an expert in a certain field or, per Brendan, an aggressive novice?  One friend clearly felt Brendan played the wrong-headed asshole in the debate; the other friend, however, remarked on how freaked out he was by what he viewed as Art’s vehement defensiveness.  To a playwright this sounds like magic.  When you can produce something on stage from which different audience members can draw diametrically opposed notions of who the villain was, then you are most definitely cooking with gas.

    GRADE FOR AWARNESS RAISING – 95% – “A”

    Goal 2: Raising Funds

    Of course, the second and co-equal goal for Journalism: a.WAKE.ning? was to raise additional funds for our upcoming second edition: The New New News: A Living Newspaper.  We did that, posting a considerable surplus for the evening, but we could have done it better.  We are a new organization and still learning out how to do the all things we need to do to survive and thrive.  We will get better at this.

    GRADE FOR FUND RAISING – 82.7%  – “B-minus”

    And now to you . . .

    Because we continue reaching for our support goals, I would like to ask you right now to consider joining the NewsWrights team as a supporting member.  We have a wide spectrum of levels at which you can join.  I ask you to consider coming on as at least a Cub Reporter for a donation of $25.  Dawson Nichols smartly modeling the vintage, limited edition Seattle P-I cap available at the $50

    At the $50 level you will be listed in our program as a Columnist and in recognition of your generosity, you will receive, while supplies last, a limited edition Seattle P-I ball cap just like the one you see Artistic Producer Dawson Nichols smartly modeling in the photo  to the right.

    At the Desk Editor level, representing a $100 gift, you will receive two hats,  plus two reserved seats to any performance including one of our three opening nights, as we deliver the paper to Seattle’s doorstep in three neighborhoods: West Seattle, Capitol Hill and Northgate.

    At the $1,000 “Media Mogul”  level you will receive all of those perks, plus coverage of any local story you want by NewsWrights United, because we, like certain cable TV news operations, can clearly be bought.

    Finally, if all you can spare is $10, we would be deeply grateful to have you join our team as a Newsie

    The bottom line is we want your support– any support– because your support represents your “buy-in” to our mission, and that keeps us strong both fiscally and spiritually. So please consider joining us at whatever level you can.  It’s as easy as clicking on our trusty upside-down  NewsWrights Support Fedora, below.  It will take you to our Shunpike donation page. 

    Donation hatThank you so much for filling our hat with your support!

    (Also, if you have not already done so, please consider “liking” our Face Book page here.  For now, it is the very best way to keep track of our doings and some very evocative discussions around current journalism issues. )