Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: Heather Curtis Mullin

  • “An Unexpected Twist” Exceeds as Expected

    “An Unexpected Twist” Exceeds as Expected

    Sandbox Radio Live!: Episode 5, “An Unexpected Twist”

    recorded at West of Lenin on July 23, 2012

    Download here. 

    @2:35      “Markehim: Episode 5″ by Paul Mullin
    @16:58     “A Work of Art” adapted from the story by Anton Chekhov
    @ 26:00    PSA – Little Bit Theraputic Riding Center by Elizabeth Heffron
    @ 28:25    “Sound Thieves” by Emily Conbere
    @ 42:09    “Au Fond Du Temple Saint” by Georges Bizet
    @ 47:08     PSA – World Arts Access by Scot Augustson
    @ 50:56     “Rally” a poem by Reginald André Jackson
    @ 58:21     “Lactar” by Elizabeth Heffron
    @ 1:12:12  “A Sousa Salsa” arranged by John Engerman
    @ 1:15:38  “The Bleak End of the Woods” by Scot Augustson
    @ 1:30:36   Finale/Credits

    Tracy Hyland in An Unexpected Twist: This is how I feel when I listen to Sandbox Radio on line, only I don’t feel this beautiful.

    Every time the podcast of a Sandbox Radio Live! episode drops, I write a little blog about it.  And every time I do, I say something like, “This episode is the best one yet.”  And every time I say it, I believe it.  But I fear that you’ll stop believing me if I keep saying so.  So…  what’s the solution?

    Unsure, I press ahead.

    Well, here’s one pretty objective way we get better.  Each episode we try to fold a new writer or two into the mix.  This time, with our episode “An Unexpected Twist” we presented a new play by relative newcomer-to-Seattle, Emily Conbere, and a poem by long-time local actor Reginald André Jackson. Speaking as someone who has written for Sandbox Radio since its inception, it’s a little unnerving when a newbie like Emily so masterfully makes her debut.  Her “Sound Thieves” leverages all the peculiarities, good and bad, of crafting stories for the fecund darkness of the mind.  (I know, because our July show was completely sold-out.  So without a single spare seat for a freeloading playwright, I sat under the risers, my view of the stage totally blocked by audience legs.  I swear this is the very best way to experience radio theatre: live but blind.)  My favorite moment: Annette Toutonghi as Gloria, a mom trying to convince a shopkeeper who illicitly fences stolen sounds, to sell her some zoo noise to cheer up her son.

    SHOPKEEPER:  Individual zoo animals are twenty-five.  A cacophony is fifty.

    GLORIA:  I only got twenty dollars.

    SHOPKEEPER:  Prices are prices.

    GLORIA:  And I’ve… I’ve got my dignity.

    SHOPKEEPER:  I don’t know what that means.

    GLORIA:  I’ll give you my … (much huskier voice) dignity.

    SHOPKEEPER:  Ah!  You don’t say!

    Other favorite moments include Leslie Law and Heather Curtis Mullin singing “Au Fond Du Temple Saint” by Georges Bizet, Jim Gall as the title role in Elizabeth Heffron’sLactar”, and of course, Scot Auguston, gift-wrapping the evening with the final offering, “The Bleak End of the Woods”, a stark noir detective story for forest animals.  (See if you can spot my wife’s radio acting debut cameo as Charday the Squirrel’s mom.)  As always, I listened with unbridled envy as Scot tossed off comic brilliance as easily as peeling bananas.

    CHARDAY THE SQUIRREL:  So, who’s missing?

    JOE THE POSSOM:  Clementine.

    CHARDAY:  Clementine?  Let that old windbag stay missing.

    JOE:  Charday!

    CHARDAY:  She’ll turn up like the bad penny she is.

    JOE:  I went to look for her and she wasn’t home.

    CHARDAY:  Wasn’t home?

    JOE:  Was not home.

    CHARDAY: That doesn’t make sense.  She’s a turtle.  She’s always home.

    So how do I convince you that while each episode is great in its own right, each one is better than the ones that precede it?

    Aha!  I know the solution! Go listen to the podcasts and decide for yourself.

    PS: Advance reservations for our next episode, “Something Wicked this Way” become available tomorrow, September 14, at Brown Paper Tickets.  Click here.

    PPS: Per my tradition, I’m posting the transcript of Markheim: Episode 5 below the fold.

    (more…)

  • Sandbox Radio Shoots Bumber

    Sandbox Radio Shoots Bumber

    I know, I know.  The biggest complaint about Sandbox Radio Live! is that the super fun recording sessions are always sold out, making it damned tough to watch the magic being made.  Of course, the final magic is always eventually available to you as a podcast.  In fact, Episode 5: “An Unexpected Twist” just recently dropped and is available here .

    Tracy Hyland

    But now Seattle’s beloved arts festival Bumbershoot is offering a one time solution to this conundrum.  This coming Labor Day (September 3) is your chance to see a “best of Sandbox Radio Live!” at the Center Theatre in the Armory, which has about thrice as many seats as our usual venue.  We will start at 7pm and pack an episode’s worth of fabulousness in just one hour. 

    Here’s what’s in store:

    “Notes from the Workplace” by Vincent Delaney

    “Why We Run” by Scot Augustson

    PSAs for Hanford Challenge and World Arts Access

    A blues tune from Charles Leggett and The Sandbox Radio Orchestra.

    Ads from “The Back of the 358” and a teaser for what’s coming in Markheim by Paul Mullin

    “T-Minus” by Elizabeth Heffron

    “Barcarolle” from Tales of Hoffman featuring special guest soprano Heather Curtis Mullin,  and more!

    You read that correctly.  My wife will be singing.  And I will be acting: reprising my role of Sam, Prince of the World, in my on-going noir angel detective series, Markheim.  That makes this Bumbershoot performance the very first time that Heather and I have shared a professional stage.  So come see Sandbox Radio Live! at Bumbershoot and watch some hot history being made.

    Paul & Heather Mullin

  • An Unexpected Twist

    An Unexpected Twist

    I’m a MarkheimA sort of angel.  But not the sort with wings and a harp and a halo.

    Markheims are the black ops.  We do things other angels can’t… or won’t.  Upstairs pulled me outta retirement for a mission down in this soggy town.  But when it was done I didn’t go back. I had questions.  And the answers weren’t up above. 

    Now I’m walking neutral, half-fallen, in what we angels call the Show.  But I gotta watch my back.  ‘Cuz things can always get uglier.

    Make your reservations here.

    Can you believe Sandbox Radio Live! has been broadcasting for a year now?

    Neither can we. That’s why we’re calling our upcoming fifth(!) episode “An Unexpected Rebecca Olson playing with chainsTwist”. The Sandbox Artists Collective will be recording our latest offering before a live audience on Monday, July 23 at 7:30 at Fremont’s newest theatre, West of Lenin.

    Entirely new, fresh and locally grown, Sandbox Radio Live! is written, produced and performed by some of Seattle’s hottest stage talent. This latest episode, An Unexpected Twist will include new short plays by Scot Augustson, Emily Conbere, and Elizabeth Heffron, plus Episode 5 of Paul Mullin‘s noir-angel serial Markheim, plus an original poem by Reggie Jackson, and special musical guests John Engerman and Heather Curtis Mullin.

    Members of the Sandbox Artist Collective currently scheduled to appear include: Megan Sandbox BarAhiers, Eric Ray Anderson, Gin Hammond, Tracy Hyland,  Kelly Kitchens, Charles Leggett, Peter O’Connor, Larry Paulsen, Annette Toutonghi, Kathryn Van Meter, Cynthia Whalen and guest Jim Gall.

    Original music will be provided by Jose Gonzales and The Sandbox Radio Orchestra: Charles Leggett, Dave Pascal, Dan Tierney and Rob Witmer.

    You won’t want to miss this, and you won’t want to wait until the podcast gets posted.

    Plus! Before the show and during intermission enjoy our newly added bonus feature from last episode, The Sandbox Bar! Featuring beer, wine, mixed drinks and other refreshments.

    Come see it LIVE! on Monday, July 23.

    Sandbox Radio Live - Episode 5 Poster

    Who:      The Sandbox Artists Collective

    What:     SANDBOX RADIO LIVE!: An Unexpected Twist

    Where:   West of Lenin (Located at 203 N. 36th Street, a few blocks west of the Statue of Lenin in the center of the universe,Seattle’s Fremont neighborhood.)

    When:     Monday, July 23, Sandbox Bar opens at 7:00, house opens at 7:30 with a live music set, show starts at 8:00pm

    How much: Donations gratefully accepted at the door. ­Reservations recommended and Available through brownpapertickets.com by clicking here starting Monday, July 2.

    Sandbox Radio is conceived, produced and directed by Leslie Law.

    Subscribe to the podcast of Sandbox Radio and listen to past episodes at the iTunes store: http://itunes.apple.com/us/podcast/sandbox-radio-live/id452830642

  • A Delicious Sampler of Sandbox Radio Live

    Sandbox Radio Live from Sandbox Radio on Vimeo.

  • The Blessings of Getting Better: Sandbox Radio Live!

    The Blessings of Getting Better: Sandbox Radio Live!

    Like any good theatre town, Seattle tends to lavish plenty of hype on the inaugural production of a new company when that company is made up of talented veterans who have proven themselves on other stages around town. Pressure mounts on the new ensemble to make their kick-off show one of the best audiences have ever seen, thus assuring crucial momentum for the future. Of course, the inherent danger lies in forgetting that no matter how earth-shatteringly brilliant your first play is, the primary law of show business remains as immutable as gravity: you are only as good as your last gig.  A company that can never live up to the promise of its premiere production is a company destined to be loved like a first crush: fondly, but weakly, and with an ardor that fades even as the intervening years serve to burnish or blur the memory of love-at-first-sight’s luster.

    Happily, through luck, hard work and great leadership, the Sandbox Artists Collective has managed to escape that fate with its quarterly audio offering, Sandbox Radio Live. Don’t get me wrong. We had a great initial outing, back in July of last year with our first show.  And lots of delicious hype to go with it. But I don’t know anyone who would argue we couldn’t do better.  And better we did, with the second iteration, a horror-themed show turned out just in time for Halloween.

    With this third episode, however, every member of the team— writers, actors, musicians and production crew — stretched out into strong new strides: going beyond what we had done before with a confidence that surely grew out of our prior successes and failures.  Everyone seems to agree that Episode Three, “To Hell With Love” was our best show yet.  And best of all, now that the podcast is ready, you can listen and decide for yourself by clicking here.

    For me, the evening did not contain a single clunker.  I loved every segment, from Anita Montgomery’s hilarious plumbing of the particular hell that is on-line dating in “F- You, Cupid!” to Elizabeth Heffron and Leslie Law’s stirring tribute to the great radio drama talent, Norman Corwin, in the show’s finale, “Corwin on Corwin.”  And I will never forget when Elizabeth Heffron’s delightful sex romp in space “T-Minus” gloriously Lesliel Law and Heather Curtis Mullin singing their gorgeous duetdissolved into an Offenbach duet sung by Law and the shimmering soprano Heather Curtis Mullin.  As Heather herself will tell, you it’s no great accomplishment that this brought me to tears.  I’ll cry at a cell phone commercial.  But that doesn’t diminish the welling of awe I felt witnessing that unrecoverable moment of live theatre.

    Wait!  What did I just say?  “Unrecoverable?”  Bullcrap!  Due to the greater glory of Sandbox Radio you can go and recover it right now, here!   (Act I, 52:50).

    And here’s a list of all the evening’s pieces:

    Episode 3, “To Hell With Love”
    recorded at West of Lenin on January 23, 2012

    Act 1

    @1:55 “F-You, Cupid!” by Anita Montgomery
    @13:28 PSA-Coal Free Washington by Vincent Delaney
    @16:45 “Lost Love Blues” by Charles Leggett
    @22:53 “Markheim: Episode 3” by Paul Mullin
    @37:30 “T-Minus” by Elizabeth Heffron

    Act 2

    @0:00 “Angry” by Charles Leggett
    @2:48 “Charlotte Doesn’t Clean Here Anymore” by Scot Augustson
    @17:55 PSA-Communities in Schools of Seattle by Vincent Delaney
    @21:08 “Corwin by Corwin” by Elizabeth Heffron
    @40:03 Finale/Credits

    Charles Leggett IS MarkheimTrue to the night’s pattern, my own piece, the third installment of the noir angel series, Markheim, was the best one yet.  If I can modestly say so, I am really starting to find the action of the story.  And the actors, foley artists and musicians have modulated the series’ unique and tricky tone to pitch perfection.  As always, I’m providing the script for Episode Three below the fold.

    (more…)

  • To Hell With Love

    To Hell With Love

    Markheim’s just a half-fallen angel trying to keep his head down and walk neutral in The Show, but how long can that last with some other angel burning street kids on deserted Seattle stairways?

    Sam ain’t gonna like it.  And when Sam’s unhappy, nobody’s happy.

    * * *

    Come join Episode Three of SANDBOX RADIO LIVE!  “To Hell With Love” as the Sandbox Artists Collective records it LIVE! before a hopped up audience of devout Sandbox Radioheads on Monday, January 23rd at 7:30 at Fremont’s newest theatre, West of Lenin!

    Entirely new, fresh and certified locally grown, Sandbox Radio is written, produced and performed by some of Seattle’s hottest stage talent. This latest episode, “To Hell with Love” will include brand spanking new pieces by Scot Augustson, Vincent Delaney, Elizabeth Heffron and Anita Montgomery, plus Episode 3 of my noir-angel serial Markheim, poetry from Charles Leggett, and the sensationally seductive song stylings of our very special musical guest, Heather Curtis Mullin.  As an added bonus, the evening will also include a special  tribute to the “Poet Laureate of Radio” the late Norman Corwin.

    Members of the Sandbox Artist Collective currently scheduled to appear include: Eric Ray Anderson, Rik Deskin, Ki Gottberg, Sarah Harlett, Tracy Hyland, Darragh Kennan, Mik Kuhlman, Charles Leggett, Larry Paulsen, Dan Tierney, Annette Toutonghi, Kathryn Van Meter.  Original music will be provided by Jose Gonzales and the Sandbox Radio Orchestra: Charles Leggett, Dave Pascal, Dan Tierney and Rob Witmer.   You won’t want to miss this, and you won’t want to wait until the podcast gets posted.  Come see it LIVE! on Monday, January 23.

    Radio_3_poster_2

    The details!

    Who:                The Sandbox Artists Collective

    What:              Sandbox Radio Live! “To Hell with Love!”

    Where:            West of Lenin (Located at 203 N. 36th Street, a few blocks west of the Statue of Lenin in the center of the universe, Seattle’s Fremont neighborhood.)

    When:              Monday, January 23rd  (house opens at 7:30 pm with a live music set, show starts at 8:00 pm)

    How much:    $10 suggested donation at the door, Reservations recommended!
    Available through brownpapertickets: https://www.brownpapertickets.com/event/218562

    Sandbox Radio is conceived, produced and directed by Leslie Law.

    Subscribe to the podcast of Sandbox Radio and listen to past episodes at the iTunes store by clicking here
     

    PS:  Yes you read that correctly: our very special musical guest is the one– the only!– the fabulously gorgeous AND talented, Heather Curtis Mullin.Heather rockin' out

  • Heather’s Eleventh of September

    Heather’s Eleventh of September

    I told my 9/11 story with the playwright’s notes in the program for the world premiere production of The Good Ship Manhattan,  my hemi-demi-autobiographical play about those days in New York.  That short raw essay also serves as my forward to Original Works Publishing’s printed edition of the play.  So you can check out my version of events from Sunnyside, Queens online here (go to page 4).

    My wife, however, saw the second plane hit the towers with her own eyes from mid-town Manhattan.  For the first time ever, Heather Curtis Mullin has recorded in writing her memories of that day and the days to follow; and I am so grateful that she has given me permission to share them here with you.

    I was working in the Conde Nast building at 42nd and Broadway on the morning of September 11, 2001.  I was in an extremely good mood because my husband had celebrated his birthday the night before and we had been up late but I still felt pretty good.  I was logging in and getting settled at my desk when a co-worker came out of her office and said a plane had hit “the towers.” We walked together to the conference room on the southern end of the building which looked straight downtown to the World Trade Center.  As I made that walk I remember wondering to myself if we’d even be able to see the plane or the damage. One look out the window told me something terrible had occurred. Our view allowed us to see the missing parts of the building where the plane had entered and the enormous fire raging inside. Already at this time the thick black smoke was billowing into the blue and otherwise sunny skies.

    I called my husband who was at home and asked him what was going on. He turned on the TV and informed me that a passenger airliner had hit the tower. As other co-workers began arriving at work there was some discussion as to whether this was an accident or a targeted attack. Many were convinced it was an attack and we all stood in shock and horror as the second plane hit the towers.

    I remember yelling and placing my hand to my mouth. From our vantage point we did not see the plane and the uniform fire-burst made it look like a bomb. I had the sense at this point that we were indeed under attack and wanted more than anything else to get home. I also remember looking down at Times Square below which under normal circumstances would have been crowded with tourists and not seeing a single person.

    Awhile later I called my husband from my desk and asked him what was going on. He confirmed the second plane and seemed in shock by what he was watching. He became extremely emotional when he told me people were jumping off the towers. That was the first moment that I cried and felt truly frightened. I really wanted to leave and try to return to my apartment in Sunnyside Queens, but my husband was concerned the streets would be chaotic and dangerous.

    Around 10:30 -11:00 am most of our cell phones had stopped working and dialing out of the office was met with a recorded message that said “all circuits are busy at this time” so I decided not to break the phone connection with my husband and simply set the phone down on my desk. I asked my husband to call my family in Washington State and he was able to reach my grandfather who relayed a message that at that time I was still alive and well. There was already panic from several people who were unable to reach loved ones near ground zero.

    I honestly have no idea what time the towers collapsed but I heard shouting and screaming from the conference room and went running there to investigate. All I could see was a giant cloud of black and grey smoke towering toward the sky. It ‘was then that I decided I would leave the building and make my way across Manhattan to the 59th Street Bridge.

    The subway was not running so I would have to walk the five-plus miles to my apartment building. Someone had gone to the cafeteria and made sandwiches for us to take with us, along with bottled water. Several of us were walking the same way and went together. Before I left the office I told my husband where I would meet him and what I was wearing. He told me he loved me and I hung up the phone. I walked through midtown Manhattan to the sounds of sirens wailing and F16 fighter jets patrolling the air. What struck me most was the silence. The street was thronged with people and every single one of them was speechless. As we walked across the bridge we looked downtown where the tip of the island was belching thick black smoke at least a mile into the sky. Underneath the bridge were boats loaded with firefighters headed downtown to help with the rescue efforts.

    I will never forget to this day the sight of those boats, the beautiful September sky, the black pillars of smoke wafting up, the unique stench of burning materials and the sound of feet hitting the pavement.

    I managed to meet my husband and make it safely to our apartment around 3 pm on Tuesday, September 11, 2001. Like most people we watched tv through the night and into the next morning. Finally I turned it off and went to bed but was unable to sleep  – “what is happening?” I kept asking myself. I knew that I would never be the same.

    The next day New Yorkers were asked to stay home so I did, watching TV and crying with my husband.  On Thursday I went to work but due to numerous bomb threats and the chaos of the aftermath of the terrorist attack our company graciously allowed us to go home for two days of paid leave and return the following Monday.  Again I went home to watch tv and cry – only leaving the apartment to buy beer and cigarettes!

    On Friday of that week we were all asked to hold a vigil and my husband and I went down to our local fire station where they had lost three men. Their photos were taped to the side of the station house along with flowers and candles left by neighbors. About 25 of us stood around with candles and then we started singing “God Bless America” -which most of us couldn’t remember. The firefighters stood around looking sort of uncomfortable and then one by one they all began to cry. I don’t know why but at that moment I knew I would be OK and that America would be OK.

    I still get nervous in large crowds. I still look for all the exits in large buildings and I still hate to fly. My husband and I left New York City after our first son was born in May, 2002. I just couldn’t imagine trying to survive another attack with my infant. I miss the city and I miss the towers. I still think about 9/11 every day.