Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: Journalism: a.WAKE.ning?

  • NewsWrights’ Awareness & Fundraising Event – How’d we do?

    NewsWrights’ Awareness & Fundraising Event – How’d we do?

    NewsWrights United held its first ever awareness/fundraising event, Journalism: a.WAKE.ning? this past Monday night.  After taking a few days to recover, I thought it was high time to take a look at how we did.

    Goal 1: Raising Awareness

    The Excerpt Reading

    The evening’s kick off entertainment came with Dawson Nichols’ staging of the first scene of our working script for upcoming second edition of our Living Newspaper: The New New News, featuring the inestimable talents of Robert Agostinelli, Shawn Belyea, Khanh Doan, Amy LoveJoseph P. McCarthy, and our own Wes Andrews.  It is rollercoaster fun for a playwright to watch talented professional actors read, after very little rehearsal, words one collaborated to wright.  One moment you stand horrified helpless witness as they mangle laugh lines you crafted and treasured so dearly; the next moment thrill blossoms again as they find whole new laughs you never expected or designed.  Shawn Belyea embodied the definition of a professional actor– versus, say, a very talented and eager amateur– when he managed to wring the biggest laugh of the night out of losing his place in the script.

    Excerpt Reading from The New New News: A Living Newspaper featuring Robert Agostinelli, Khahn Doan, Amy Love and Shawn Belyea (left to right)

    The Panel Discussion

    Our Consulting Producer, Tom Paulson, ran this discussion of the current state of journalism, with such local luminaries as legendary sports columnist Art Thiel, new media maven, Monica Guzman, Mark Higgins, Metro Editor for The Seattle Times, Brendan Kiley, Theater Critic and Features Reporter for The Stranger, and Chris Grygiel, coordinator of political coverage for the Seattle P-I.com.  Personally, I found this panel discussion the most exciting portion of the evening.  Tom pointed hard-hitting questions at everyone in the room, and not one of the panelists shied away from answering frankly, a rare occurrence, as you would know if you have attended similar discussions in the last couple years.  Journalists have been very leery about hashing through the woes of their industry.  For a quick rundown of the various points-of-view represent, I cannot do better than the rundown provided by Jake Ellison over at Seattlepostglobe.org, which you can check out by clicking here.

     The Journalism: a.WAKE.ning? Panel.  Tom Paulson (in cap) moderates Paul Mullin, Mark Higgens, Monica Guzman, Chris Grygiel, Art Thiel, and Brendan Kiley.  (Left to right.)_

    One moment seemed to leap out for nearly everyone in the room.  Several good friends gave me their feedback in the days after and nearly all of them specifically mentioned the earnest and well-argued exchange between Art Thiel and Brendan Kiley regarding the definition of a journalist.  Is it, as Art argued, an expert in a certain field or, per Brendan, an aggressive novice?  One friend clearly felt Brendan played the wrong-headed asshole in the debate; the other friend, however, remarked on how freaked out he was by what he viewed as Art’s vehement defensiveness.  To a playwright this sounds like magic.  When you can produce something on stage from which different audience members can draw diametrically opposed notions of who the villain was, then you are most definitely cooking with gas.

    GRADE FOR AWARNESS RAISING – 95% – “A”

    Goal 2: Raising Funds

    Of course, the second and co-equal goal for Journalism: a.WAKE.ning? was to raise additional funds for our upcoming second edition: The New New News: A Living Newspaper.  We did that, posting a considerable surplus for the evening, but we could have done it better.  We are a new organization and still learning out how to do the all things we need to do to survive and thrive.  We will get better at this.

    GRADE FOR FUND RAISING – 82.7%  – “B-minus”

    And now to you . . .

    Because we continue reaching for our support goals, I would like to ask you right now to consider joining the NewsWrights team as a supporting member.  We have a wide spectrum of levels at which you can join.  I ask you to consider coming on as at least a Cub Reporter for a donation of $25.  Dawson Nichols smartly modeling the vintage, limited edition Seattle P-I cap available at the $50

    At the $50 level you will be listed in our program as a Columnist and in recognition of your generosity, you will receive, while supplies last, a limited edition Seattle P-I ball cap just like the one you see Artistic Producer Dawson Nichols smartly modeling in the photo  to the right.

    At the Desk Editor level, representing a $100 gift, you will receive two hats,  plus two reserved seats to any performance including one of our three opening nights, as we deliver the paper to Seattle’s doorstep in three neighborhoods: West Seattle, Capitol Hill and Northgate.

    At the $1,000 “Media Mogul”  level you will receive all of those perks, plus coverage of any local story you want by NewsWrights United, because we, like certain cable TV news operations, can clearly be bought.

    Finally, if all you can spare is $10, we would be deeply grateful to have you join our team as a Newsie

    The bottom line is we want your support– any support– because your support represents your “buy-in” to our mission, and that keeps us strong both fiscally and spiritually. So please consider joining us at whatever level you can.  It’s as easy as clicking on our trusty upside-down  NewsWrights Support Fedora, below.  It will take you to our Shunpike donation page. 

    Donation hatThank you so much for filling our hat with your support!

    (Also, if you have not already done so, please consider “liking” our Face Book page here.  For now, it is the very best way to keep track of our doings and some very evocative discussions around current journalism issues. )

  • Better-Late-Than-Never Breaking Press for “Journalism: a.WAKE.ning?”

    Better-Late-Than-Never Breaking Press for “Journalism: a.WAKE.ning?”

    Extra!  Extra!

    As luck and irony would have it, all the press for Journalism: a.WAKE.ning? is breaking late, fast and furious.  Here’s a rundown of what came across the wires this weekend:

    The Stranger

    The Sunbreak

    Seattle Theatre Examiner

    • The Gist:  Now is exactly the time to gamble on locally grown new plays.
    • The Pull-quote:  “The previous golden age of American theater was smack-dab during the last Great Depression,” said Mullin. “We must not sit around on our hands waiting for the rich to pay us to make art for them. The rich don’t need our help and they will not share our vision. We need to make art for the people who are suffering in these drastic times, and let the chips fall where they may. We need to enter the fray.”
    • The Link: http://www.examiner.com/theater-in-seattle/no-better-time-to-produce-theater-seattle

    Late buzz is better than no buzz at all, and we are grateful for it. 

    So if you haven’t already bought your tickets, don’t feel bad but DO IT NOW!   Click HERE to make your order at Brown Paper Tickets, or if you’re feeling lucky and pressed for time, buy them at the door.

    Either way . . .

    We’ll see you tonight!

  • Why NewsWrights United Matters

    Why NewsWrights United Matters

    Wes Andrews,  the New Media Analyst and Dramaturg for NewsWrights United, asked each of our creative team members to write a short essay for our blog on why this project matters to them. This one’s my stab.

    Fresh theatre is living theatre.

    I hold this truth to be self-evident.

    I have held it so for a very long time, but have only argued it publically and formally for about 9 months, since launching my blog Just Wrought, and its first in a series of essays, “Theatre Takes Place: Why Locally Grown Plays Matter”.  By itself, the notion is not terribly controversial. The argument comes when we theatre professionals attempt to determine whether you can make something fresh with 10 year-old, 20-year-old, 50-year old and 500-year old ingredients. I say, “Well… sometimes.” My esteemed adversaries in this ongoing argument defiantly avow “Always!”, and then they sink a staggering amount of effort into convincing their audience, and more importantly, themselves that that so long as one has excellently trained and accomplished actors, insightful and renowned directors and designers, plenty of money from donors and a cultured public, one can always make the already existing great plays of the canon fresh.

    I disagree.

    In reality you need actual fresh content to keep theatre relevant and alive.  And fresh content only comes from creating new plays. Thus, as much as the ascendancy of “The Director” in the 19th Century, and “The Artistic Director” in the 20th, seemed to herald the demise of the playwright, the playwright remains a necessary component— perhaps the necessary component—of ensuring theatre remains a living—and not merely a museum– art form.

    We at NewsWrights United believe that employing the theatrical form of the living newspaper to cover local news is one of the best ways of injecting fresh, locally compelling, material into the theatrical canon. That alone, however, is not enough to answer why this project matters. Happily, when we produced our first edition It’s Not in the P-I: A Living Newspaper about a Dying Newspaper, we noticed an added bonus. The people came—and we sold out nearly every night—not to see excellent theatre adeptly presented by trained professionals but rather stories about a local newspaper that they loved (or hated) that had died recently. In other words, they came to see themselves.

    When theatre offers the new and the relevant, it matters and lives.   When it offers only  the polished and perfect– plays we all already know– it dies a museum death.  We are doing this project because journalism matters. We are also doing it because theatre matters. When blended they achieve an almost explosive synergy.

    Why?

    It’s simple. Audiences matter. Stories matter. The rest is icing. Sometimes icing is delightful, but it will not keep you alive forever.

    I hope you will join us Monday evening, November 15 for  . . .

    Journalism: a.WAKE.ning?  

    Tickets for the event are $20 and are available at Brown Paper Tickets (http://www.brownpapertickets.com/event/133319) or may be purchased at the door.

    Or if you cannot make it, please consider helping us out with a donation.  Below is our support hat.  You can start filling it by clicking on it.  It’ll take you to our Shunpike donation page.  

    Donation hat

    Early support is always deeply appreciated support.  So thanks.

  • NewsWrights United has Hit the Ground, and We are Running

    NewsWrights United has Hit the Ground, and We are Running

    A few days ago the NewsWrights United’s Managing Producer, Jim Jewell, sent out a kick-off press release to all sorts of fancy media folks about NewsWrights United and our upcoming production The New New News: A Living Newspaper.  In it he made a few key announcements:

    • NewsWrights United will be producing a second edition of our Living Newspaper called The New New News, on the heels of the frankly astounding success of our first edition It’s Not In the P-I: A Living Newspaper about a Dying NewspaperThe New New News will provide a theatrical examination of the rise of new media and how we know what we know… or not.
    • NewsWrights United will be tossing this Living Newspaper up onto your theatrical doorstep in February of 2011 (and by “theatrical doorstep” I mean a Seattle stage or stages to be named later.)
    • NewsWrights United just launched our blog, conveniently located at http://newswrightsunited.blogspot.com/.  On this blog my fellow writer/producers and I will do our best to keep up-to-date on our progress developing The New New News for production.  As much as we can, we keep you apprised of our hopes, our fears, our failures, and ideally, our ultimate triumph.   See?  That’s what’s exciting about locally grown, intensely fresh new work.  The outcome is not a foregone conclusion.  Following us is like rooting for a local sports team, whereas supporting our more museumified colleagues is more like, well, supporting a museum.  (Tantamount-to-dead things don’t readily engender lively metaphors.)
    • NewsWrights United just launched a “wiki-scene” here, where anyone who wants to can help us write a section of the upcoming show.
    • We have a web page: http://www.newswrightsunited.org  it ain’t super fancy yet, but it will be.  (And any support you can offer us in that regard would be most welcome.)
    • We will be hosting  an awareness-building/fund-raising event on the evening of Monday, November 15, tentatively titled Journalism: a.WAKE.ning? in the Upstairs Gallery above Theatre Off Jackson, from 7:30 – 9:30 PM.  The event will include art installations examining new media, a preview of The New New News, a panel discussion on coverage of the November elections and, of course, a reception, in which guests will be offered their choice of a flute of champagne or a shot of rye, depending on whether they think journalism is ready for a new baptism or last rites. So HOLD THAT DATE!  

    A couple of things Jim did not mention but that I wanted you to know as my special Just Wrought readers:

    • NewsWrights United has a Face Book page.  Go there by clicking http://www.facebook.com/NewsWrightsUnited  and then “like” us.  That’s one the quickest easiest ways to stay on top of our mercurial movements.
    • NewsWrights United has a twitter profile: “NewsWrights” Follow us.  (We have been, admittedly, Twitter-resistant in the past, but since half our stories involve the tool, and most actual journalists appear to be addicted to it, we figure we would look like idiots if we did not tweet.  (And possibly still look like idiots when we do.)

    Now rest assured, we’re going to be asking you for money to support this production.  And not just for the obvious reasons, like we like ourselves, think you will too, and need money to put on a show.  We also have some not so obvious reasons for asking for you support, such as:

    1. Every performance of our Living Newspapers is offered on a suggested donation basis.  We do this because we believe information and art should be as accessible as possible, and not just for those lucky few—and ever fewer—folks that can afford the enormous sum demanded for a theatre ticket these days.
    2. Journalism costs money.  To gather the news and to disseminate it.  NewsWrights United is no different, except we have actors and production designers and staff to pay to help display and distribute our news instead of printers and truck drivers.  We want you to participate directly in the financially supporting the journalism we provide, because such participation is the fair price of democracy.
    3. We are covering YOU!  We aren’t just staging Titus Andronicus or Glenngary Glen Ross because we want to, and  then making tortured arguments about how these plays are somehow relevant to your own stories today.  We are telling your own stories today!  We believe that ought to be worth something to you. 

    So here’s our hat.  You can start filling it by clicking on it.  It’ll take you to our Shunpike donation page.   

    Donation hat

    Early support is always deeply appreciated support.  So thanks.

    We have hit the ground.  We have spread out and chased down stories from sources all over this town and beyond.  We have begun to stitch them together into a script.  From this moment we will not stop until we give you the freshest, hardest-hitting local news-based theatre you have ever seen.