Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: Seattle Playwrights

  • Seattle Week at HowlRound

    Seattle Week at HowlRound

    Keep your eyes on HowlRound.  According to Seattle Playwright Vincent Delaney, “The national journal based at Arena Stage, is featuring Seattle for the entire week.  We’ve got blog posts by playwright Stephanie Timm, Allen Fitzpatrick of Icicle Creek Theatre Festival, Kathy Hsieh of Sex In Seattle, dramaturg Liz Engelman, and a culminating interview with our own Yussef El Guindi.”

    Vince has already posted his kick-off essay and it’s a clarion call.   

    Local actors rule the Equity stages here, and no one expects that to change. They’re just too good, and everyone knows it.

    So, Playwrights?

    Raising the profile of Seattle writing is really a matter of changing our own self-image. Yes it’s frustrating to see season selections that reflect some other city’s priorities (curse you, Wichita)—but what are we going to do about it? Sit and complain? Threaten to leave? Spend all our energies on angry blog posts?

    (Uh-oh.  I think I know who that last shot might be aimed at.)

    Go read Vince’s essay and give him feedback in the comments section.  Then keep your eye on HowlRound and weigh in when Stephanie, Allen, Kathy, Liz and Yussef step to the plate.  This is a great opportunity for Seattle to continue its discussion about mapping its way to World Class as a theatre town, and an even greater way for the whole nation to see how sexy smart and committed we are.

    Go get ‘em, Seattle!

  • Maybe not in Seattle, but “Over There” They Care

    Maybe not in Seattle, but “Over There” They Care

    Ah, the ironies of being playwrights in Seattle: the local Big Houses and mainstream press largely ignore us, and yet the national theatre blogosphere monitors our commentary on unfolding events, especially the Intiman implosion, with the rapt glee of NASCAR fans watching a slow-motion 13 car pile up.

    And now, we’ve gone international, as the United Kingdom’s Guardian runs a blog post on our response to the Intiman Board’s somewhat bemusing announcement that they intend to ask the advice of artists on how to proceed.

  • Seattle Likes its Playwrights Nice

    Seattle Likes its Playwrights Nice

    I wrote that in my pocket notebook while bussing it home recently from a happy hour with a highly placed Big House theatre administrator.  We were having that well-worn vodka-sodden conversation about how, while very few new works get developed in Seattle lately, the ones that do tend to be by the same “go-to” authors, invariably defended with some variation of the following:

    “Say what you will about the innocuousness of his plays, _______ really is the nicest guy.”

    “Sure _____’s work isn’t that strong or well-researched but she’s just so darned sweet.”

    Having jotted down that title, it was my intention go back and explore the idea in one of my longer essays, but now, looking at them I realize that if those five words don’t already make manifest the problem, another thousand won’t paint the picture any clearer.