You’re not crazy. You’re just overdue. There hasn’t been a new episode of Sandbox Radio Live! in over three months!
Relax.
Episode Seven: Eye of the Beholder is on its way, packed with the sort of goodies you’ve grown accustomed to: plays by Elizabeth Heffron and Vincent Delaney, music by Jose Gonzales and the astounding Sandbox Radio Orchestra, my own noir-angel detective series, Markheim (word has it Sam’s due for a drop in), all tied together by Leslie Law’s expert, effervescent direction. Plus you can expect some brand new stuff like a poem by Elizabeth Austen read live by the author, or a brand new comic serial by Scot Augustson set in Seattle. (You’ll want to order your tix quick, since we always sell out.)
But before we get to all that, I need to make up for a deleterious omission. With all the crazyness of the holiday season, plus world premiering my first full-length play in four years, Ballard House Duet, I neglected my self-appointed duty of telling you the things I love about the previous episode of Sandbox Radio Live! – Something Wicked This Way (available for download here.)
“Backscatter” by Vincent Delaney
Vince never disappoints with his sharp suspenseful writing, but this turn at modern horror would make Rod Sterling go goggle-eyed. All props to the Sandbox Radio sound fx team. Give a listen and tell me they don’t make it sound exactly like an airport. (This brings up a larger fascination for me when listening to these podcasts: how the live audience participates in and fuels the recording. There’s this extraordinary recursively looping sensation as you listen to them listening to you listen to the show in the future.) My favorite character in this one had to be Big Stu. Somehow Eric Ray Anderson manages to add 300 pounds through the sheer suggestive power of his voice.
“The Back of the 358 – #7” by Paul Mullin
Not much I want to say about these since I wrote them, except maybe that Kathryn Van Meter utterly nails the drunk chick. Oh, and also, the likelihood that there will be any new pieces in this vein is slim, given how King County Metro’s elimination of the Free Ride Zone has completely flattened the floridly diverse ecosystem that was once the back of the #358.
“Muscle Memory” by Omar Willey
This chillingly smooth and nasty pastoral will captivate you into a skin-crawling reverie.
“Quinceñera of the Damned” by Scot Augustson
What do you get when Mexican kitsch culture collides with Austrian Alpine snobbery in a fairytale context? Something you can be pretty sure Scot Augustson conceived. Favorite line (impeccably delivered by the peerless Annette Toutonghi): “Gunter will think I’m a crazy clown gypsy whore.”
“The Back of the 358 – #8″ by Paul Mullin
It’s never not unnerving to have to relive my #358 adventures as staged by some of Seattle’s finest actors.
“Here it Comes” by Charles Leggett with the Sandbox Radio Orchestra
Chuck and friends rock another original blues number, this time folding some astro-physics in, cuz… ya know… Chuck rolls like that.
“The Back of the 358 #9” by Paul Mullin
Please tell me this trip is almost over. If this woman punches or pukes on me, I’m gonna be highly irked. (Favorite line {which I can say in modesty because I overheard it}: “At least in jail I get three meals a day and someone to love me.”)
“The Raven” by Edgar Allen Poe
No one intones the American classics like Richard Ziman. And his sweet spot is Poe.
“The Sorcerer’s Apprentice” by Paul Dukas, arranged by Bruce Monroe
A mind-crackingly original arrangement: the kind of blastingly cool cut you can only get at Sandbox Radio.
“Markheim – Episode 6” by Paul Mullin
Per custom, I’m including the script for this below the fold.
“The Back of the 358 #10” by Paul Mullin
So long shirtless drunk chick! May you find the peace that eludes your every semi-lucid thought.
“Shadow of Agnes” by Emily Conbere
I raved about Emily’s first Sandbox Radio outing, “Sound Thieves” here, but who knows? She could’ve fluked her debut success. She didn’t. This piece seals the deal and is quite possibly one of the creepiest short pieces I’ve ever heard.
Again, don’t take my word for it. Go to the podcast and listen. And then get your tickets to our brand new show, available here through Brown Paper Tickets.
