Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: The Sequence

  • He said He was Going to Do It, and Apparently He Did

    He said He was Going to Do It, and Apparently He Did


    CRAIG:  The human sequence is only the beginning.  Next we gotta do the chimp. it’ll be easy since it’s 90% the same as the human anyhow. 
          Then I want to shotgun everything in the human digestive tract; a cubic meter of Sargasso sea water, the Amazon rainforest, the entire globe.  I’ll take Sorcerer II and circumnavigate, shotgunning samples as I go.  There’s an infinity of questions to be asked, but we don’t even know the basics, like what friggin’ lives out there.
        I want to build an artificial genome from parts.  A whole new life form and see if we can make it work.  Doctor Frankenstein eat your heart out.

    KELLIE:  Sounds like you might get that invite to Stockholm after all.

    CRAIG:  Screw it.  They only give you a million dollars anyway.

    KELLIE:  What would make you happy then?

    CRAIG:  Happy?  If I could be the first to synthesize life, I’d be happy. . . for a while.

    When I wrote those words five years ago,  I never doubted even then that Venter would accomplish his seemingly impossible goals.

    J. Craig Venter is a playwright’s dream.  A real-life Faust, a gigantic brain attached to an even bigger mouth, a brilliant bio-tech Muhammad Ali.  It was a pleasure to build The Sequence around his race with Francis Collins to decode the human genome.  Now he’s apparently booted up a whole new life form from parts, just like he said he would, both in my play and in real life.

    New York Times: “Researchers Say They Created a ‘Synthetic Cell’

    Paper Bits
  • The Sequence in Print

    The Sequence in Print

    I am delighted to announce that my play The Sequence, which dramatizes the real-life race to decode the human genome, is now available in print from Original Works Publishing.

    It has been a long road since that phone call eight years ago when Curt Dempster, then artistic director of Ensemble Studio Theatre in New York, offered me a commission to write something about the genome race.  He had seen Craig Venter on The Charlie Rose Show and I imagine he recognized a kindred spirit: an arrogant, monomaniacal genius who had the raw guts to want to change the world.  I knew nothing about the story.  I wanted instead to write a play about scientific investigations into human consciousness (still do, for that matter), but after doing some initial research I was quickly convinced that there really was a play here.  The detail that sold me for good was learning that Venter had secretly used his own “genetic material” as Celera’s sample for sequencing.  The lofty fog of scientific endeavor suddenly cleared as this act of sheer human outrageousness snapped everything into crisp dramatic focus.  There was a story here.  Boy oh boy, was there a story!

    Curt has since passed on, by his own hand, determined as ever to navigate this life on his own terms or none at all.  He never got to see the world premiere of The Sequence at The Theatre @ Boston Court in Pasadena.  He never got to see this final script, which he conceived by commission nearly a decade ago.  But in my overwrought imagination, I see him thumbing through it, slouched in his hovel of an office at the corner of 52nd Street and New Jersey, dog curled beneath his chair, surrounded as he always was with stacks and stacks of new play manuscripts, hundreds of them, maybe thousands, some of which he had asked for, most which he hadn’t, nearly all of which he would never read (he preferred to watch readings), but every single one of which he believed in; because for Curt, theatre was about making plays, not merely staging those already made.

    You can pre-order the script by clicking here.

    I hope you like it.  I also hope that when you read it, you remember that The Sequence, like all plays, was wrought more than written, and ultimately meant to be watched more than read.

    The cover for the Original Works publication of The Sequence, by Paul Mullin

  • THE SEQUENCE now Half-Price

    THE SEQUENCE now Half-Price

    Just slashed the price of the Kindle version of my play The Sequence. To order the digi-script, hit my page for the play here and then click through the Amazon badge pictured just to the right of the synopsis.

    The Sequence dramatizes the real-life race to decode the genetic instructions for building a human being.  The play world-premiered in 2008 produced by The Theatre @ Boston Court in Pasadena, California. 

    Here’s a little teaser:

    Renegade researcher Craig Venter develops a controversial “shotgun” technique for sequencing DNA, then quits the NIH over an institutional lack of imagination. He quickly makes a fortune in the private sector, and becomes simultaneously the most loved and hated scientist in the world.

    A folksy doctor named Francis Collins inherits the U.S. government’s Human Genome Project. When his victory in the sequencing race is threatened by Venter, he quickly makes the transition from apparent bumpkin to fierce competitor.

    Journalist Kellie Silverstein cuts her teeth on the biggest science story of all time, while simultaneously running a race with her own mortality.

    In the competition to sequence the human genome, will the grand prize be the public good or private profit? And how will three people, amid the frenzied race to determine what makes a human being, discover their humanity?

     Kerri Krause, Hugo Armstrong and William Salyers as Kellie, Venter and Collins

    So if you dig electronic versions of play scripts (and really, who doesn’t?) then order a copy of The Sequence now, because supplies of these electron configurations are going fast!  (186,000 miles per second, to be exact.)

    ****

    Note: other scripts of mine currently available on Kindle include:  Louis Slotin Sonata, Tuesday, The Ten Thousand Things and The Don Juan Cult Concerto.