Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Category: Poetry

  • Food for the Minotaur


    The city is white.
    The strand is white.
    The sky is blue paler
    than the ocean is blue.

    The sail that just broke 
    the horizon is white. 
    It’s white, right? 
    Tell me it’s white.

    The king will tell you 
    The same damned thing: 
    You are the king. 
    We are… everything.

    The sail is black. 
    It’s always been black, 
    going all the way back. 
    It’s black

    *


    “Evil” is a shorthand:
    a convenient knot on a string
    Every day we dress the children
    in white cotton for the king.

    We say, “children”, but we mean 
    something else, surge of protein:
    most will survive. 
    When was the last sail you’ve seen 
    that wasn’t white?

    It’s white, right?

    The sail is white. 
    The sail is white. 
    And life is woven light. 
    Monsters are movies. 
    Life is mood.

    Face down on the sand 
    is a what not a who.

    And whos that are whats 
    are food.

    *


    Your heart is a labyrinth
    where the minotaur lives.
    The bull-king’s heart is weak and wormy,
    compromised by compromise.
    But this is only what must be
    because this is what you want.
    You’re free.


    You cannot be forgiven. 
    I cannot be absolved. 
    Ours hearts are ash, lungs 
    saltwater, and stomachs stuffed 
    with children seethed in belief.

    Our labyrinth is formed in curves not angles.
    That singing is sirens, not angels.
    All the forever we’ve lost is now.

  • Promise


    When you look me in the eye,
    (promise me you’ll lie)
    and figure out who I really am
    (promise me you’ll promise me)

    When you finally decide—
    (you’ll lie) 
    —to kiss me 
    (promise me)

    When you total up the stars 
    (promise me you’ll lie) 
    as I fall asleep beside you 
    (lie to the sky)

    When you work up the nerve 
    (to lie) 
    to leave me 
    (promise me won’t)

    When you finally say good-bye 
    (lie)

    Wherever I go without you 
    (promise me there you’ll lie) 
    whenever within you I come 
    (lie lie lie)

    This wickedness through which we wend 
    (this promise) 
    is simply who we are 
    (I promise)

    don’t bother to deny 
    (you’ll lie)

    (Just promise me) 
    you might as well 
    always do the impossible 
    (promise me you will)

  • That Friend


    You gamble wrong, hoping
    I’m like the others. I ain’t.

    I’m the one who’ll kill you, 
    make you better, or abandon you; 
    but never hope you’ll care.

    I’m the one who’ll make you 
    bigger than both of us, lift you 
    thriving above surviving.  I’m the friend 
    circling your heart’s winter with fire.

  • We Can All Die like This

    We Can All Die like This

    Swimming in slanting light
    the sky’s blue scrubbed
    pale of summer’s fullness.

    Don’t imagine these blazing leaves
    are grieving. Don’t imagine
    you will be either.

  • Only Took Me 22 Years to Get My Poetry on Buses

    Only Took Me 22 Years to Get My Poetry on Buses

     

    Poetry on Buses is a program currently hosted by King County Metro and curated by 4Culture. It began in 1992 as a presentation of poetry from the Seattle community on the placards found above the bus seats. Says the  website, “The poems are written by that person across the aisle, that kid in the back, or the professional poet.”

    I remember being a young man and new to Seattle and seeing these poems on the buses I rode, my sole mode of transportation at the time. Back then, in the early 1990s, I was so impressed and enamored of the verse I read just above the heads of my fellow riders sitting across from me that I rushed to send in some of my own work. This I did again and again; and again and again I received polite rejection letters from the program. Here is a couple of the poems I sent in through the years: 

    Word Problem:

    How many

    drops

    of rain

    are falling

    at this moment
    on this city
    in this storm

    How many

    on this patch of asphalt

    from now to now

    Count them

    And…

    Seattle

    Gull-angels sculpt the sound winds
    that tunnel through the buildings. Crying wild,
    in wide circles searching, they carve
    a city’s formless redemption; omens of torture and belief.

    What’s to ignore?
    What’s to deny?
    If a transparent pain falls shattering

    on you, what beautiful views?
    What?
    What grays, what greener than greens?


    Looking back through 20/20 critical hindsight lenses: no, I no longer think these pieces are my strongest work. But I still recognize the impulses behind them. And I still stand by those impulses. In other words, I like where my younger self is going. The impulse to create poetry in the context of a city is almost always worthwhile.

    I’m still primarily a bus rider. It’s my only way of commuting to work, since my family only has the one mini-van, which I drive maybe once or twice a week, on errands.

    The Poetry on Buses program went on hiatus for a few years, but I was excited to see on a friend’s Facebook page a few months back that it had returned and new poems were being solicited on the theme of “writing home.” I immediately sent in my piece, Instant Messenger and was utterly charmed and delighted when I got the news that it had been selected as one of the poems that would be shared on selected buses. All 365 poems will be showcased on the Poetry on Buses site, a new poem for each day of the year. My day next year will be August 24, 2015. Additionally, each week, a new portrait of a featured poet and an audio poem will offer you an extra look and a listen. (And, happily I do believe “Instant Messenger” is one of these poems as well.) 125 of the 365 poems will also appear on select RapidRide buses or stations. Some onboard our four RapidRide Poetry Buses and others as discrete poems throughout the RapidRide fleet. The bus and station poems will offer an on-the-spot poetic experience, and also invite visits to the online collection.

    More fun is coming up very soon! The Poetry on Buses launch party will be held November 10, 2014 at the Moore Theater. It’s free and all ages: a vast and necessary celebration of poetry and music, including:  

    • Readings by 36 local poets in English, Russian, Somali, Spanish and Vietnamese. (I’ll be one of the poets reading!)
    • Live music by Love City Love.
    • Special appearances by Seattle Fandango Project, Marianna and Youth Speaks Seattle.
    • The premiere of the Writing Home Collection – all 365 poems!  

    I hope I see you there!

  • After Rumi


    Don’t struggle, just struggle. 
    Don’t just be, be. 


    On second thought, forget I said anything.

    You’re perfect. Be that.
    Just don’t be perfect.

  • Scratch for B-Sides

    A liar speaks the truth. Trust me.
    It’s dark out there. You need to know this stuff.
    Every particle knows every other, position and momentum,
    since that very First Charlie Brown Christmas Big Bang.
    Don’t let that uncertain German snow you.

    It’s cool, actually. Nothing but solipsism.
    You. Carving yourself out of nothingness. Me.

    And I can’t just give you my love, my love.
    I have to watch it roll on edge, spinning tighter
    and faster round the black hole it’s headed for,
    until at last it’s just a levitating flash
    a moment before it—winking—drops
    apparently forever. But physicists know shit
    poets don’t: postulate white holes,
    which spit instead of swallow.

    I stumble. You stumble. You hope I hope.
    You fall, I’m lost: both spinning ellipses.
    A penny’s a good as a quarter.
    It doesn’t matter how much the coins are worth.
    A Sacajawea no better/worse than a washer,
    or a slug forged to fool the washing machine.

    It’s the spin and the ellipses. It’s the arc
    you trace and the flash and the drop.
    I can’t describe why to you. No kid could.
    A kid would say what I’m saying now:
    Give me a nickel. I’ll show you. It’s cool.

    Trust me.

  • The Naked Truth

    We come East again, but this time leave you behind
    to join us in a week for the beach piece. I fill time
    taking the boys to Lincoln’s lap, and a DC city pool, where
    they hold their own, elbows and knees, with the laughing
    black kids, playing Marco Polo, diving for a torn goggles’ strap.
    Two days later we wander a vast strutted cavern crammed
    with the spent super-toys of a spent super-nation:
    Black Bird, Discovery, Enola Gay. Then we head north. 

    Driving towards it on roller coaster roads, the younger one
    says he can smell my brother’s farm, meaning some tumbler
    turns in this kid’s wild heart from my life as a kid: thick summer
    crunching into color come Fall. And he being born across the country
    in a city awed by mountains; and the other one grunting
    his blue naked way into a megalopolis once awed only by itself,
    but hushed, over the months he grew alive inside you, by towers
    of anguished empty light. I can’t help but be grateful something rises
    in these two to this air which smothered  my blood for so long, even
    when the older boy barfs a mile shy of the farm, and I have to pull
    over to sluice the puke from the plastic bag into a corn field.

    That night I drink with my brother in a country bar not completely
    different from the one we grew up in as stock boys, though this
    one feels like the future: fluorescent and empty, safer and ugly.
    He preaches to me, sipping whiskey from a cup made for cough syrup,
    how my work needs to change the world in a big way for the better; but
    I deflect him with my best Mother Teresa: We can do no great things,
    only small things with great love.
    And I half-believe it, too.

    Two days later, coming on midnight, the kids crashed in
    their grandmom’s living room, my niece and my boys,
    gunshot-sprawled across the sofa and blown-up air mattress. 
    Me stretched on a futon in my Mom’s extra room calculating
    days  till you join us, thoughts finally weirding into dreams
    when a quiet note chimes and the phone purrs vibration.
    Glowing at my touch a text, a picture, makes no sense at first
    but then I see them: full and perfect, nipples piqued:

    “The girls miss you.”

    The bonfire my brother builds the next night back at the farm
    seems hopeless at first after that day’s thunderstorms, but
    my brother doesn’t truck in hope, never has.  He works at it.
    Big things for the better make a life worth living, and a few flashes
    of gasoline will burn the dampness from the ground, such that
    careful application of kindling brings, within half an hour, an inferno
    roaring higher than anything we dare encourage in the tinderbox West. 
    Hunks of smoldering float above the trees, open letters to parts of the world
    where hope still waits for gasoline and my brother’s good intentions.

    Let this Mason-Dixon humidness set free what, two nights ago,
    your dry Seattle skies took up, radio riddling the ether (though
    there is no ether: turns out there’s no need.) Let them hum to me
    an image (though there is no hum: photons keep mum till we
    teach them to speak) joyful, girly gift to thrill me, and feed,
    as I grow old and older, my sulking need— when I can’t have
    you when I want you, and I think it’s your fault.
    If that’s not a child’s heart, whose is?

    Nature abhors a vacuum, and so fills herself up with all this us.
    Time hates a naked singularity: and so everything is just nothing
    wearing knickers. These are the laws, described by men as blind
    as me; yet somehow you flaunt them. With a chime and a purr
    and a gleam you give, playfully, teasingly, everything; but also
    somehow hold so much more back; because you know the truth
    is never naked enough, and neither are you.

  • Off Written

    Off Written


    But you can’t write off a writer much
    as
     you’d like. We do as we seek, please

    as we might: trees, ideas, people!

    When we fail you breathe, and watch, you’ll see:
    love-lighted, we’re always coming
    for you, though — true — benighted we be.

    I feel you though: be nice to have some quiet.
    Plenty of that though, fear nought, where we’re headed,
    always together, writers each, off and oft, you and we.

  • The rain writes Hebrew on the concrete stairs.