Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: Paul Mullin

  • My Friend for a Year: A Reader’s Book of Days

    My Friend for a Year: A Reader’s Book of Days

    I have been reading the same book for nearly a year. I sit and read one page, every day, and in so doing, it has become a true friend to me. I’m actually a little concerned about how much I will miss this book when my year with it is up.

    This book—my friend— was given to me by another friend, the poet Kevin Craft, who presented it to me at the 2014 Annual Mullin White Trash Christmas Party. I cracked open the tome the very next day, December 14, and quickly learned that Shirley Jackson, author of The Haunting of Hill House, was born on that day in 1914. I also learned that  in 1999 Charles M. Schulz retired from penning his classic cartoon strip Peanuts. He would be dead by the following February.

    A Readers’ Book of Days by Tom Nissley is an addicting almanac of literature, charmingly illustrated by Joanna Neborsky. It engagingly details not only what happened to authors on particular days, but also, and perhaps more importantly, what happened to their characters. We all know that Julius Caesar was murdered on the Ides of March, and most of us know (or should) that Leopold Bloom began his vast single-day adventures on June 16, but how many of us know that the wedding that kicks off The Godfather occurred on the last Sunday in August 1945?

    Nearly a month into my ritual of reading a single page every morning with my coffee I learned that in 1873, Herman Melville’s brother-in-law lobbied the Secretary of the Treasury to see if anything could be done to make the author’s job as a customs inspector easier. This was twenty years after “Bartleby the Scribner” was published, and twenty-two since Moby Dick first surfaced. In July I learned that on the 16th of Germinal in Year II the poet Fabre d’Églantine was executed in the revolution for which he helped invent an entirely new calendar. He handed out his poems on his way to the guillotine. 

    Stories like these especially spoke to me, freshly laid off from my day job of seven years and recently retired from theatre to begin writing in new forms. 2015 loomed ahead of me with an intimidating unknowable newness. Still, if Melville could defy obscurity two decades after Moby Dick, and if d’Eglantine could still earnestly offer his poems even as he tumbriled towards death; then who was I not to soldier on in my privileged circumstances. And so, in addition to introducing me to all kinds of cool books, from Cloud Atlas to the The Time Traveler’s Wife, with his own singular book Tom Nissley helped remind me that success and failure as an artist are just painted-on illusions. All you can really hang your hat on is the work, and the earnest offering of its product.

    Books are like people: it’s easy to love the general idea of them, but in reality there are just too damned many to know or care about. There are books with which you had wild youthful affairs. (Henry David Thoreau’s Walden and John Gardner’s Grendel leap to mind for me.) Ones that you treasure fond memories of, but understand you’re unlikely to revisit in middle age (Joseph Campbell’s The Hero of a Thousand Faces), and then there are the books you live with, day upon day, in something not unlike happy matrimony (Coleman Barks’ versions of Rumi for me as well as The Ancestor’s Tale, by the brilliant, but lately somewhat loathsome Twitterer, Richard Dawkins; and Jorges Luis Borges’s hat trick: The Fictions, The Non-Fictions, and The Selected Poems.)

    This Friday at 7 p.m Tom Nissley will be celebrating the paperback editon of A Reader’s Book of Days at the warm and welcoming shops he owns, Phinney Books. (In the interest of full disclosure, I must inform you now that I have since I introduced myself to Tom as a fan. And I like to think that we have begun a tentative but promising new friendship. Indeed, I asked him to write a blurb for the back of my soon to be published book, The Starting Gate, and he surprised me when he told me it would be his first time.)

    As artists, as humans, we cannot know the true measure of our gifts; that’s for others to understand. Kevin Craft couldn’t know what the book he was bringing to my raunchy Christmas party would mean to me over the following year, and Tom Nissley couldn’t know one of the people he would reach so profoundly was the guy who wrote the deeply weird play about angels and sub-atomic particles he saw at a black box in Belltown in 1992. We offer what we offer and we hope for the best. Through Kevin and Tom this best of books changed my last year for the better. And now in turn I’m offering you this piece of advice: go if you can on Friday to Phinney Books and purchase yourself a copy of A Reader’s Book of Days.

    Who:     Tom Nissley

    What:     A Reader’s Book of Days: True Tales from the Lives and Works of Writers for Every Day of the Year

    When:     Friday, November 6, at 7 p.m.

    Where:     Phinney Books, 7405 Greenwood Ave N, Seattle, WA 98103

    Why:    Because you’ll be achieving several great things in one small, fun, and easy package: buying a great book directly from the author, and in doing so supporting local literature and local booksellers, and finally you’ll be celebrating authors throughout the ages that worked hard so you’d have something interesting with which to pass the years of days.

  • Exit/Entrance/Exit/Entrance… Imagination

    Exit/Entrance/Exit/Entrance… Imagination

    This week I started my new job working for the City of Seattle, Department of Transportation (aka SDOT). This coming Sunday evening, I’ll be reading a story I wrote called “Exit Interview” about getting laid off from my old job. At the time I conceived it, the plot was mere imagination, but I knew the ax would eventually fall. Additionally, the story morphs into being about the end of my life, and then, more eventually still, about the end of the world. And again, I used my imagination but I have a pretty good general idea of how these things will go.

    So why am I reading this story on Sunday evening (with the help of the truly excellent Brandon Simmons)? And why, in support of Bernie Sanders campaign to become the next president of the United States of America?

    So many think he doesn’t have a chance. Others think he’s inured to the injustice of American racism, puffed up on a cloud of clueless White progressivism.

    What do you think?

    Do you think he has a chance to become our next president?

    Here’s my suggestion: use your imagination; because like me— like all of us— you have a pretty good idea of what will happen otherwise.

    (more…)

  • Official Finisher! “Gateless” – Chapter 13 of THE STARTING GATE at St. Andrews

    Official Finisher! “Gateless” – Chapter 13 of THE STARTING GATE at St. Andrews

    I got a compliment from a friend the other day that made me feel very proud in a modest sort of way.  He said, “Well, Paul, you do tend to finish things.” We were talking about a novel I have recently started. I have no idea if I will finish it. But with my friend’s kind approbations added to the analysis, I like my odds.

    (more…)

  • Better Dead, But Rich’ll Do

    Better Dead, But Rich’ll Do

    I don’t even have a dog in the fight that Brendan Kiley’s pulled me into here, but I think I might have to rent one.
    Me on Face Book yesterday
     

    * * *

    Before I retired from theatre nearly two years ago I liked to write essays about the art form’s problems (“On Institutional Arrogance”), and what made it great, (“How Can I Talk About the Borrowers?”), but I never did manage to write all the essays I wanted to. By the end, I had a whole file full of titles I would never flesh out.  I even wrote an essay about that (“Surplus Titles”). One of my favorite leftovers was “Better Dead”, under which I intended to provide an explanation to the uninitiated that despite the image they might hold in their minds of playwrights being central to the making of theatre in modern America, the fact is, our absence is the usual and preferred state of engagement, and if we can manage to be dead, preferably for a long enough time that our work is in the public domain, then we are even more popular among our non-playwriting theatre colleagues.

    (more…)

  • “The Ending Gate”: Chapter 12 of THE STARTING GATE at St. Andrews

    “The Ending Gate”: Chapter 12 of THE STARTING GATE at St. Andrews

    In what I can only describe as an attempt to kick my own butt with a leap of faith, I started publically reading chapters from The Starting Gate at The St. Andrews Bar and Grill in Green Lake long before I had finished the book.  Now it’s a year later, a strong first draft is finished, and there are only two chapters left to present. Will you consider joining me as I read “The Ending Gate”, the twelfth chapter? This chapter tells the story of what happened to me and my brother when our home away from home burned out of existence, and threw us forward, for better or worse, into the rest of our lives.

    Here’s a little taste:

    Back in 1985, neither my brother nor I had any strong theories on how the fire happened, but one fact quickly dawned on both of us, and I have to assume nearly everyone in town. The Starting Gate stood there, condemned and vacant, but also packed with thousands of dollars’ worth of liquor, some, if not most, of it salvageable. This fact must have dawned on John too, because within days of the fire, photocopies of this posting went up all around the property:


    ANYONE FOUND HERE AT NIGHT
    WILL BE FOUND HERE IN THE MORNING.

    Here are the details:

    When: Monday, February 9, at 8pm

    Where: The St. Andrews Bar, 7406 Aurora Ave. North, Seattle, WA 98103

    Who: Me, and you, and probably a few others you know

    How: Quick and dirty, the readings rarely last longer than 25 minutes.

    Why: Why not?

  • The Poster is ready for OPENLY WE CARRY / CARRY WE OPENLY

    The Poster is ready for OPENLY WE CARRY / CARRY WE OPENLY

    Oh, I know I’ve said it before, but I can only hope to say it again and again: there is nothing like that new poster smell!

    It says, “Oh, this is coming, baby!  Coming fast!”

  • “Confession at St. Andrews”: Chapter 11 of THE STARTING GATE at St. Andrews

    “Confession at St. Andrews”: Chapter 11 of THE STARTING GATE at St. Andrews

    We’re getting close now.  I finished my book, The Starting Gate, a month or so ago. And now we’re even coming up on the end of my public chapter readings at the St. Andrews Bar and Grill. There are only three left now.

    So I hope you’ll  consider joining me as I read “Confession at St. Andrews”, the eleventh chapter of my book, about my favorite bar in Seattle.

    I’m at the St. Andrew’s.

    It doesn’t matter when. Unlike the Starting Gate the St. Andrew’s still exists in what I’m currently calling the present, and so there’s a changelessness to the time I spend here.

    The bartender Mark, who also happens to be one of the owners, is again holding court, again stringing along some beer and food salesmen, who sit a few stools down from me. Mark has told me that he has the vendors come in only on Thursdays, which is his day to open the bar. He’ll listen to their sales spiels, but they in turn have to listen to his shtick: his filthy stories, his dumb dirty jokes, and his cutting critiques of the products they’re hawking.

    I sit on the corner so I can watch both the stage (i.e behind the bar) and audience, (i.e the bar stools.) It’s an old trick from my playwright days. Always watch the audience. Mark knows I’m watching and he knows that I plan someday to write about this place, so his performance takes on an extra enthusiasm. I’m waiting for him to say something utterly filthy and outrageous. Something designed to shock the salesmen and even me. It’ll be tough. Together we make a pretty jaded crowd.

    “These young guys, come in here, trying to score some hot chick their age. I say, ‘Let me give you some advice.’”

    Okay, here we go. This should be good.

    Here are the details:

    When: Monday, January 12, at 8pm

    Where: The St. Andrews Bar, 7406 Aurora Ave. North, Seattle, WA 98103

    Who: Me, and you, and probably a few others you know

    How: Quick and dirty, the readings rarely last longer than 25 minutes.

    Why: Why not?

  • Jesus Hat

    On the downtown 358.

    In the city I’ll catch the light rail to Beacon Hill where I’ll sit zazen at the temple plus listen to a dharma talk. Should be out by around 8:15, latest. From there, I’ll take the light rail back in to King Street Station and walk to Central Tavern in Pioneer Square, where I’ll chat with Bama, who bounces there, and maybe mooch a beer, or pay for it if I have to.

    Just witnessed the strangest interaction right in front of me. Burnout-looking white dude with one of those hipster hats of knitted wool with ear flaps, comes back and says “Excuse me, sir” to the Hispanic dude with a long goatee and a baseball cap that says “Jesus” in silver Gothic letters. The dude’s halfway into a heroin nod or maybe just really drunk.

    Hipster Hat says it again, real polite, “Excuse me, sir.”

    Guy with Jesus hat opens his eyes.

    “I’m just wondering if you’d like this soda.” And he holds out a paper cup of fountain soda, some sort of dark cola, Coke or Dr. Pepper, near full, complete with plastic lid and straw. Hipster Hat explains that Jesus Hat looks pretty out of it and so he thought he could use a pick me up.

    Jesus Hat says, “I’m fine…. Just tired, man.”

    “Okay. Well, here have this soda.”

    Jesus Hat takes it. “Thanks, man.”

    They fist bump. Then Hipster Hat dude shakes Jesus Hat’s hand.

    “Hey, you want this cigarette?” And Hipster pulls a droopy cigarette from his ear. Jesus Hat takes it between two tentative fingers.

    “You just looked really sleepy to me, man.”

    “Bless you,” says Jesus, and closes his eyes as he tucks the cigarette behind his own ear.

    And the glassy-eyed white dude in the hipster hat sort of lurches with the turns of the bus, back to his seat right behind the driver.

    So what was with all that?

    I mean, here’s the thing: Jesus Hat was shitfaced. A minute or so later I watched him lift himself with considerable effort and stumble to the door to get off in Belltown.

    I got up to get off when we reached downtown a couple stops later. And as I walked to the front of the bus, I saw that the hipster had a bunch of grungy plastic bags stuffed under his seat. He was homeless, and likely a bit crazy.

    After I stepped off the bus, I went down into the light rail tunnel to catch my train to temple.

    Mystery solved. Had to be the hat.

  • “I was the One at Home”: Chapter 10 of THE STARTING GATE at St. Andrews

    “I was the One at Home”: Chapter 10 of THE STARTING GATE at St. Andrews

    I finished a solid first draft of The Starting Gate about a month ago. Then I spent another two weeks putting a polish on it, rewrote the ending on some excellent advice from a good friend, and sent it under his cover to a literary agent in New York. The reply was surprisingly prompt, but, not surprisingly, discouraging. Apparently the book’s “candor and soul, art and wit” are “admirable”, but alas, the work is too “quiet and thoughtful… insufficiently sensational” to attract a publisher. If I were famous enough, maybe; but since I am not, no dice.

    Since I honestly don’t know what to do next, I am going to do what I’ve already promised myself to do: read the next chapter, as scheduled, at The St. Andrew’s Bar And Grill next Monday night. So would you please consider joining me as I read “I was the One at Home”, the tenth chapter of my book The Starting Gate? It’s about the night in the house on Sweet Air Road when it was just me, my step-dad, and his massive left hemisphere stroke.

    Here’s a quickie excerpt:

    …. He reaches out his hand, grasping for things on the table that aren’t there. “Do you want me to get you something write with?” I ask. He nods vigorously. I get him a ballpoint and a small pad with some advertisement on the banner. He begins scrawling, but it looks funny. I turn the pad around to read it.

    “Call your mother.”

    “Dad, mom’s in Towson.” Towson is 10 miles away. “I should call 911. Let me call 911.”

    He shakes his head more furiously than before. He taps fiercely on that pad with his fat forefinger. (The same meaty hand that slaps our faces, heavy and fast.) So I call my mom at the real estate office, where she’s manning the phones in the hopes of picking up a loose lead. Mom needs loose leads. She’s not exactly a born sales woman. But there’s another reason she volunteers to work essentially unpaid for three or four hours nearly every evening. It gets her out of the house at the time when my Dad’s most likely to be drunk.

    Mom answers the phone at the real estate office. I tell her the situation and ask her to let me call 911. “I’m pretty sure he’s having a stroke, Mom.”

    “Oh Paul, how can you know that?”

    “He’s not talking, Mom.”

    “Well let me talk to him.”

    “Mom, I can’t let you talk to him. HE CAN’T TALK.”

    And here are the details:

    When: Monday, December 1, at 8pm

    Where: The St. Andrews Bar, 7406 Aurora Ave. North, Seattle, WA 98103

    Who: Me, and you, and probably a few others you know

    How: Quick and dirty, the readings rarely last longer than 25 minutes.

    Why: Why not?

  • We Can All Die like This

    We Can All Die like This

    Swimming in slanting light
    the sky’s blue scrubbed
    pale of summer’s fullness.

    Don’t imagine these blazing leaves
    are grieving. Don’t imagine
    you will be either.