Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

Tag: The Uses of Art

  • You Don’t Have to Hold On

    You Don’t Have to Hold On

    I have maintained that we are better off trying to determine what art does rather than defining it.  I even went so far to make a list in an essay called “The Uses of Art”, in which I promised to flesh out each enumerated “use” with an essay of its own.  (Of course I miserably defaulted on that pledge.)  Further, I have always assumed— like a lot of folks, I suspect— that the best art always sticks with you: it goes into your library for reference and reuse, which is why I can still recite verbatim Puck’s “If-we-shadows-have-offended” Midsummer Night’s Dream show-closer three decades after playing the role.  And when I fail to hold on to a piece of art, I tend to feel a little guilty.  After all, is it not a little shameful to have forgotten easily a hundred times more poetry and painting, music and movies, than I have ever remembered?  Was all that art wasted on me?  

    The 13th Century Sufi poet Jelaluddin Rumi and his modern American interpreter Coleman Barks have convinced me otherwise.  Just as art has a variety of uses, it also has many mechanisms.

    “There is a South Indian story about soap.  Soap is the dirt we buy.  We introduce it to the dirt we have, and the two dirts are so glad to see each other they come out and mix!  They swim together in the warm pleasurable water and, at just the right moment, the washer lifts the cloth of our true being free of both soap and dirt.  Mystical poetry and other practices may function this way, as soap that dances with what disturbs our clarity.  Then at some moment they drop away and leave us clean, ready to be worn again.”

    –From Coleman Barks introduction to a chapter in his collection
    The Essential Rumi

    Sometimes art doesn’t stay with you.  And sometimes that’s best.  How disgusting and useless would it be if the film from every bar of soap you’ve ever used still remained on your body?  Some art is meant to mix with parts of you and then rinse off, parts and art together.

    So the next quiet night you read a poem, and then find you’ve forgotten the entire thing the next morning, don’t berate yourself.  Instead, give yourself a pat on the back for being spiritually hygienic. 

    Rumi himself this time: 

    “. . . Enjoy this being washed
    with a secret we sometimes know,
    and then not.”

  • The Uses of Art

    The Uses of Art

    Art…

    • Reminds us we are going to die
    • Keeps us interested in living
    • Breaks us open
    • Gives hope
    • Devastates
    • Terrifies
    • Delights
    • Comforts the afflicted
    • Can help us to shut the fuck up for a blesséd moment
    • Afflicts the comfortable
    • Makes us human*
    • Magnifies the greater glory of God
    • Joins the long conversation
    • Engenders reasonless gratitude
    • Offers the means to become other people
    • Demonstrates unprovable truth.

    I have been noodling on this list for years, mostly because I like to have reasons handy when I teach playwriting. (An investigation of the uses of playwriting would open a whole other can of worms.)  I have arranged these in a loose, ostensibly amusing order of my own choosing. I would be truly delighted to hear suggestions for additions, adjustments and deletions.

    Over the last century or so we have tended to shy away from objectivity in the arts and have emphatically discarded any objective means of defining exactly what art is. “It can’t be done,” we shrug; or we toss down the glib gauntlet, “Art is whatever I say it is”, knowing full well that if that were true, then art would be, by extension, whatever anyone says it is, and by further extension, simply everything. And when something is “everything”, it achieves equivalence to “nothing.” Or perhaps even less than that.

    So I would like to suggest that art might only be objectively defined in the context of its utility. Or in plainer words, in order to know what art is, we have to talk about—and maybe can only talk about— what art does.

    I understand I have no special standing to proffer such a list. I quit college after my sophomore year. My plays are only rarely and mostly marginally produced. I am an administrative coordinator at a biotech company, a husband, a father and a person. That last post is the only one I believe entitles me to talk about art; but I stand fiercely by that standing, because, after all, if art is not for persons, then for whom is it?

    My plan over the next few months, or—let’s be honest—years, is to write a short essay about every one of the uses I listed above, and maybe even some I have not yet thought of— maybe some that you suggest. Please be warned, however, that my track record for delivering on promised essays is spotty at best. 

    Happy Holidays.

    2010

    *Not always a good thing.

    Even if there isn’t One.

    5/28/14 To see my more recent essay, “The Misuses of Art”, please click here.