Just Wrought

Recovering playwright, once won a STRANGER Genius Award for theater. Now writing a bloated novel about… G-d help me! Theatre.

  • “I actually don’t think the system is broken. Just limited resources.”

  • What are we willing to sacrifice?

  • A little bit of fireworks there. “Not enough good plays for the Big Houses.” “Aesthetic absolutes.” “You either get what you want or not”

  • Good question from a good friend involved in development asking to identify a “sweet spot” for breaking down silos so that all the people in this room can better collaborate towards developing new work (ideally locally grown).

  • Good question leading to discussion of potential of collaboration across theaters of differing sizes. In other words, a pipeline. Duh.

  • Okay, now it’s become a pattern– unique to Seattle?– that crazy flowers are dominating Q&A because the smart folks are too smart to pipe up.

  • Things are looking up. A touch of crazy has blossomed in the room.

  • A good friend asks the question about the one-word play titles, i.e. WIT, PROOF, ART, sucking all the air out of the production space.

    (And its true: my one one-word title play TUESDAY has had the most productions. Hmmm….)

  • Right now Q&A has bogged in a rather tedious, though I suppose necessary analysis of the survey methodologies.

  • “Everyone wants the same ten playwrights.”
    — Anonymous Artistic Director